Let's get interactive... and focus on ME!
So, in lieu of anything better, I thought I'd let you all sneak into my private vault of knowledge. It's a precious gift that I give you now... respect it.
Formalities aside, here will follow my review of
Sex & the City for my Practical Journalism class. Read it, or don't... Love it, or don't... Critique it for me, or don't... but do note how I get all "literary in the beginning" -- yeah!
Sex Emphasizes Timing In Life, Relationships
In Euripides’s
The Bacchae, Dionysus warns, “You rely on force; but it is not force that governs human affairs.”
Sex & the City’s most recent episode similarly articulates that it is not effort but timing that dictates life.
Just as the elements of reality intersect, so do
Sex’s impeccable character storylines in “The Big Time,” representing the transitions in a woman’s life both individually and communally.
Carrie (Sarah Jessica Parker) for once seems on the brink of perfection with Aidan (John Corbett). Unfortunately for Miss Bradshaw, ex-flame Mr. Big (Chris Noth) unexpectedly re-enters her life, threatening to disrupt her tenuous bond with Aidan. As Carrie’s life and relationships have always been purely happenstance, the perpetual dance with Big that once was exciting now casts a shadow on Carrie’s one chance at stability.
Sex’s resident maneater Samantha Jones (Kim Cattrall) feels the power that her femininity holds over her quite differently when she fears menopause is fast approaching. Samantha is the quintessential modern woman, acting fiercely and independently, but even she stumbles over her own femininity.
For once, she feels vulnerable and unwanted, so she succumbs to the advances of her terminally unhip neighbor, Len Schneider (Robert LuPone). After dinner Samantha sleeps with the lusty Len him to validate herself. With impeccable and ironic timing, she then gets her period and regains her confidence.
Charlotte (Kristin Davis), conversely, is the stereotypical bride-to-be. Announcing earlier in the season “I
will get married this year!” Charlotte’s find her perfectly preppy male counterpart in Dr. Trey McDougal (played to the golf tee by Kyle McLachlan).
Early in the episode, Charlotte calls Trey “the one.” She believes that strict sexual control over Trey will foster his respect and love. The statement clearly branches out of Charlotte’s strategic take on marriage but has no bearing in the realities of relationships, particularly since Charlotte and Trey met by accident.
Charlotte considers it fate, but
Sex’s resident cynicist Miranda (Cynthia Nixon), quickly dismisses such idealism. She explaining that men (e.g. Trey) are like taxis, and they are only “the one” when their metaphoric light is on. “They can drive around for years, and when they turn their light on, they’ll marry the next woman they pick up.” She adds, “It’s not fate. It’s dumb luck.”
While Charlotte gingerly represents a two-dimensional innocence, Miranda tiptoes through the sensitive nuances of a serious relationship. This episode features Miranda’s last effort to loosen up and have faith in her endearing but childish partner Steve (David Eigenberg). Unfortunately, the
Sex’s loyalty to realities of intimacy ultimately forces the inevitable disintegration of some relationships despite everyone’s best efforts.
Overall, the beauty of
Sex & the City as a series lies appropriately in its timing as well as its ability to interweave thematic elements, verbal motifs and the idiosyncrasies of modern life without belaboring the point. With superb acting, the series improves each season as the ladies become increasingly vivid and learn to distinguish between impossible idealism and acceptable reality.