Three cheers for clean clothes and Friday afternoons
So I should probably be doing something with my life. After I all, I do only have 4 weeks and some change left in NYC, but I'm perfectly content with washing clothes and bumming around the apartment for a day. I started the day with high expectations, but dreams of trying on cute (cheap) clothes in the continuous pursuit of re-formulating my image to meet that of someone my age (or a few years older) quickly devolved into going uptown to retrieve my forgotten umbrella at work and an addicting trip to CVS, where I was suckered into buying 2 boxes of Cheerios Berry Burst on which I did NOT get the marked discount.
On a positive note, I did get a hug from Mr. Jordan Goldman, my boss whom I want to womp. It's his 21st b'day, and I took him and my other boss Colleen cupcakes. Oh such the domestic am I! And I was even wearing a skirt! (Though the hair, as per normal, was less than stellar.) As far as JM goes, I am pretty sure he's straight (a major plus considering my record), and I don't think he and Colleen are linked. And he's almost my exact age, and he goes to a NESCAC school. We're a match made in heaven. We could get married and set the date for July 15 -- the midpoint between both of our birthdays; it would be our gift to each other. **sigh**
End scary delusion now.
I have, of late, "discovered" the Film Forum. And by discovered I mean gone there once last night. They were playing It's Always Fair Weather, the Gene Kelly-Cyd Charisse musical that should be required viewing for anyone who calls him/herself a fan of musicals. It may not have the Hollywood egotistical self-refentiality that Singin' in the Rain has, but Gene Kelly tap dances on roller skates, by God! AND, that movie has the credit for inspiring Stomp. And Cyd Charisse dances with a bunch of boxing goons. I could keep going on and listing all the amazing, beautiful, fascinating moments of the film, but I shan't. My next Gene Kelly musical pursuit is An American Paris, which actually won some Oscars, and I definitely need to see On the Town at some point, but I digress. Before that, I will be re-entering the doors of the Film Forum for this weeks' Freed Unit musical, Kiss Me Kate.
Currently, I am listening to yet more pirated music in the form of Beyonce's Dangerously in Love CD. Forget about straight, gay, bi; anyone who think she doesn't look hot on that cover is blind. I would wear that top, too; if I didn't have nipples. Damn genetics! Other than Beyonce's obvious physical endowments, I'm not lovin' the album itself. It starts out with about 3 good songs (though the second one samples "Love to Love You" and "Say My Name" within the first 15 seconds). They are the only up-tempo songs on the entire album. The flow of the album, which I am currently about halfway through, reminds me of R&B radio that we were listening to in the office yesterday; after about 20 minutes, I had to change it because I was about to wretch. If I were wantin' some candle-lit sex, this album would be a perfect choice. Lacking that, I'm left with the feeling that it's just slightly vapid. In particular, the song "Signs" with Missy Elliot is abysmal. It's a laundry list of all the zodiac signs over and over and over and over and over and ... you get the picture... and Missy's only contribution in the first 4 minutes of the 5-minute song is to say "Reeeeewind!" but the song does not break into one of Missy's trademark rap joints to liven it up, rather it just repeats half a verse that we just heard. Oh Missy, I was expecting more! I think Donna Summer was an appropriate sample to choose to give an idea of what Beyonce (and musical in general) is about at this particular moment. Like Donna Summer, Beyonce will undoubtedly pound out hits one after another and create a lasting legacy, but the hits themselves aren't adding to any sort of cultural history because they're not filling any gaps. They're simply re-applying formulas and blending genres at the discretion of her producers who are undoubtedly much smarter than her. She's a voice and a body, but more? Like disco, this time in music is completely pop and puff driven. We will undoubtedly look back at this time with simultaneous guilty pleasure and conspicuous embarrassment, wondering what the hell we were thinking liking this mass produced pastry pop. When even the rebellion is packaged for our consumption by MTV and when using actual instruments is revolutionary, we know we're on the wrong track, but I digress again.
With that, my friends, I must depart. My urge to ramble has been fulfilled, and I am now officially the last guest at the party, so I'll leave your party until I can return with some 7-layer queso dip and Tostitos... or at least a vodka-filled watermelon. Good stuff.
Birthday countdown: 9 days!

